Stage of a Lifetime
A tall wooden door guards the Heliopolis apartment where, on a Saturday afternoon, Leila Saad ’66 checks emails on her iPad and prepares for a day of work. Amid the funky statues, potted plants and fairy lights that furnish her apartment, Saad fills the space with a smile, her white hair and pixie cut accentuating her vibrant energy.
She insists on coffee — for her, karkade — and an hourlong chat before beginning the interview.
Donning black leggings, a colorful blouse and a cross necklace alluding to her Coptic roots, Saad is adamant that she would never leave Heliopolis as she gives us a tour of her old Cairo home. “God will take care of the destination and the rest,” insists Saad, relying on her faith in the present as she has during much of her eventful life.
The octogenarian’s career is going strong — she has an acting job later today, and she recently wrapped up a project she directed for AUC, The Importance of Being Earnest.
Church bells ring in the vicinity as she takes a seat on her balcony, a private garden filled with greenery. The first question — “Who is Leila Saad?” — prompts the actress to spring to life, her voice heavy and animated with conviction: “Leila Saad is an 88-year-old who is passionate about theatre and has been on a journey doing theatre for 61 years, since she was cast in a 1964 AUC rendition of Oklahoma in Ewart Memorial Hall.”
She laughs that her first role caused three music directors to quit after Bob Harper, the casting director, insisted that she sing in the play (“I can’t sing,” says Saad). Thus began a love for theatre, which has since colored every aspect of Saad’s life.
A New Life in North America
Soon after Oklahoma, Saad opened up a cafeteria called Greedee’s in the basement of the newly acquired Greek Campus, where she started meeting with AUC’s theatre group: “There was no theatre department at the time, but there was something called the Maskers Club,” she reminisces. “I have the best memories with them.”
Saad was majoring in English literature at first, but following Harper’s guidance, she soon received a full scholarship to study theatre at the University of Southern California (USC) — an offer she couldn’t refuse. She knew then she had to follow her dreams, even though she was sad to leave AUC in 1966.
“There was no theatre department at the time, but there was something called the Maskers Club. I have the best memories with them.”
“I was scared and nervous and hesitant, but I went. I took my suitcase and $11 because during Nasser’s rule, we were only allowed 5 Egyptian pounds (equivalent to $11 at the time),” says Saad. “I didn’t know anybody except a friend of mine whom I knew from Cairo and who happened to be studying television and film, and we lived together as roommates.”
Saad’s journey in the United States was one that spanned decades: She loved USC but disliked California, so she moved to Oregon, where she joined a graduate program in the theatre department and Middle East Studies Center at Portland State University.
After a few years, Saad relocated again. “I was thriving in Portland, but it was time to move to the East Coast where there was more opportunity in theatre,” Saad says. She worked at Boston University (BU) and joined a professional theatre company in the city, where she remained for 25 years.